Mystical Shires
Pucklechurch Wassail 2016
Our thanks go to Pucklechurch Wassail group and Winterbourn Down Border Morris for allowing us to attend this celebration.
We all met at the Rose and Crown in Pucklechurch, South Gloucestershire and then walked through the village to a 16th Century house with a small orchard in the back garden.
The purpose of wassailing is to awake the cider apple trees and to scare away evil spirits to ensure a good harvest of fruit in the Autumn. The ceremonies of each wassail vary from village to village but they generally all have the same core elements.
A wassail King and Queen lead the song and/or a processional tune to be played/sung from one orchard to the next, the wassail Queen will then be lifted up into the boughs of the tree where she will place toast soaked in Wassail from the Clayen Cup as a gift to the tree spirits (and to show the fruits created the previous year).
Then the assembled crowd will sing and shout and bang drums and pots & pans and generally make a terrible racket until the gunsmen give a great final volley through the branches to make sure the work is done and then off to the next orchard. Perhaps unbeknown to the general public, this ancient English tradition is still very much thriving today. The West Country is the most famous and largest cider producing region of the country and some of the most important wassails are held annually in Carhampton and Dunster (Somerset) and Whimple and Sandford (Devon), all on 17 January (old Twelfth Night).
Morris dance is a form of English folk dance usually accompanied by music. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins. Implements such as sticks, swords and handkerchiefs may also be wielded by the dancers. In a small number of dances for one or two people, steps are performed near and across a pair of clay tobacco pipes laid one across the other on the floor.
The earliest known and surviving English written mention of Morris dance is dated to 1448, and records the payment of seven shillings to Morris dancers by the Goldsmiths' Company in London. Further mentions of Morris dancing occur in the late 15th century, and there are also early records such as visiting bishops' "Visitation Articles" mention sword dancing, guising and other dancing activities, as well as mumming plays. While the earliest records invariably mention "Morys" in a court setting, and a little later in the Lord Mayors' Processions in London, it had adopted the nature of a folk dance performed in the parishes by the mid 17th century.
The term "Border Morris" was first used by E. C. Cawte in a 1963 article on the Morris dance traditions of Herefordshire, Shropshire, and Worcestershire– counties along the border with Wales. Characteristics of the tradition as practised in the 19th and early 20th centuries include black painted faces (in some areas); use of either a small strip of bells (in some areas) or no bells at all (in others); costume often consisting of ordinary clothes decorated with ribbons, strips of cloth, or pieces of coloured paper; or sometimes "fancy dress"; small numbers of dances in the team repertoire, often only one and rarely more than two; highly variable number of dancers in the set and configurations of the set (some sides had different versions of a dance for different numbers of dancers); and an emphasis on stick dances almost to the exclusion of hankie dances.
For more information on Morris Dancing or Wassailing, follow the links to Wikipedia below